Friday 21 February 2020

Shubh Mangal Jyada Savdhaan




Many of us have been at the receiving end of the aggressive promotion of this film in the past few weeks. If you have watched the interviews of the cast and the director on YouTube, or read it in the papers, you will remember Ayushman and the director, Hitesh Kewalya, saying that this film is about “normalizing” homosexuality and it is for the homophobes. And rightly so, the entire film not only tries to normalize homosexuality but is rather obsessed with it. The film is begging and pleading homophobes to change their mindset and accept homosexuals. And how does it do it? Through loads of humor. Every dialogue is a one-liner trying hard to make you laugh. And yes. Some actually do. But there is so much of it that you get overwhelmed with humor. 

The writing seems desperate to hide the issue at hand and stack up directionless, irrelevant and disconnected humor scene after scene. Its as if the director is paranoid that the film might not be accepted by the audience so he has piled every scene and dialogue with desperate humor. I, personally couldn’t follow a lot of it.  Slapstick sarcastic or plain, comedy is the heavy life saving jacket that the film carries throughout but sadly gets drowned by its own weight.

And in this attempt of survival the main theme or purpose of the film is lost. The characters are not developed. Every frame has too many people to fit in and all of them have their one liners being delivered breathlessly as if to tie down the audience to the chair. I understand that the film has to do well in the box office too. But the theme of sexual orientation is perceived to be so defeated that the first “main stream” film does gross injustice to it. Within the same premise of acceptance of a gay son in the middle class small-town Indian family, so much more could have been done. SO much more was expected. Jeetendra Kumar’s performance was a somewhat redeeming quality in the film.

The LGBT community should not have to try so hard to “normalize” itself. I would rather say, does have to try at all. But by trying so hard it once again is at the mercy of the straight community to deliver their judgement. To be accepted or not is in nobody’s control. It can be tried but not shoved down as humor hidden in the invisible cloak of comedy. It clearly shows that the makers and the cast have not understood the issue of acceptance and homophobia.

Rating – 2.5 / 5
  

Saturday 8 February 2020

Shikara




Shikara is the name of the house built by Shiv Kumar Dhar and his wife Shanti. It was their home, a place where their love grew after marriage and the place where they wanted to live out their lives. This Kashmiri Pandit couple was driven out of their homes in Kashmir like the lakhs of other Pandits in the 1990s. The film follows the story of this couple. It portrays pain and agony that people like them had to go through after being dislocated from their homes. The love story unfolds beautifully despite a disaster that dislocates them from their homes.

The dislocation of Kashmiri pundits from Kashmir has not got the due attention it deserves. Imagine if someone today comes to your home and asks you to leave it and your city permanently. Communal tensions and riots have destroyed the lives of so many. Those were just not houses but homes where love and emotions of families were nurtured.By losing their homes the Hindu pundits lost their identity and recognition. They lost their motherland.

In a complete Vidhu Vinod Chopra style the film has been made very subtly and beautifully. There is not as much aggression or violence as one would expect with Kashmir or militants.  But still the emotions and pain have been communicated convincingly. The beautiful couple in the picturesque valley convey the deep pain and loss very subtly.

Rating - 3 / 5